![]() Filmed in color beginning with Juliet of the Spirits (1965), his movies became a celebration of life in all its beauties and grotesqueries while also exploring Fellini's wildly imaginative dream life. He enjoyed international acclaim with I Vitelloni (1953), La Strada (1954 Academy Award), Nights of Cabiria (1957 Academy Award), La Dolce Vita (1960), and 81-2 (1963 Academy Award), the latter two widely considered his black-and-white masterpieces. He began directing in 1950 and quickly abandoned neorealism in favor of professional actors and scripted tales of almost fablelike simplicity that express a basically humanistic outlook. After World War II he wrote screenplays for such neorealistic films as Rossellini's Open City and Paisan.
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